HOME
SEARCH
GALLERY
SVENSKA
ARTIST
FAQ
CONTACT
EMAIL

Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Guido Reni
1575-1642 Italian Guido Reni Galleries Born in Bologna into a family of musicians, Guido Reni was the son of Daniele Reni and Ginevra de?? Pozzi. As a child of nine, he was apprenticed under the Bolognese studio of Denis Calvaert. Soon after, he was joined in that studio by Albani and Domenichino. He may also have trained with a painter by the name of Ferrantini. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the "newly embarked", or progressives), led by Lodovico Carracci. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Annibale Carracci to Rome. Like many other Bolognese painters, Reni's painting was thematic and eclectic in style. By late 1601, Reni and Albani had moved to Rome to work with the teams led by Annibale Carracci in fresco decoration of the Farnese Palace. During 1601-1604, his main patron was cardinal Sfondrato. By 1604-1605, he received an independent commission for an altarpiece of the Crucifixion of St. Peter. After a few year sojourn in Bologna, he returned to Rome to become one of the premier painters during the papacy of Paul V (Borghese). From 1607-1614, he was one of the painters patronized by Borghese. Abduction of Deianira, 1620-1621.Reni's frescoed ceiling of the large central hall of garden palace, Casino dell'Aurora located in the grounds of the Palazzo Pallavicini-Rospigliosi, is considered his masterpiece. The casino was originally a pavilion commissioned by Cardinal Scipione Borghese; the rear portion overlooks the Piazza Montecavallo and Palazzo del Quirinale. The massive fresco is framed in quadri riportati and depicts Apollo in his Chariot preceded by Dawn (Aurora) bringing light to the world. The work is restrained in classicism, copying poses from Roman Sarcophagi, and showing far more simplicity and restraint than Carracci's riotous Triumph of Bacchus and Ariadne[5] in the Farnese. Reni in this painting is allies himself more with the sterner Cavaliere d'Arpino,Lanfranco, and Albani "School" of mytho-historic painting, and less with the more crowded frescoes characteristic of Pietro da Cortona. There is little concession to perspective, and the vibrantly colored style is antithetical to the tenebrism of Caravaggio's followers. Payments showed that he was paid in 247 scudi and 54 baiocchi upon completion on 24 September 1616. He also frescoed in Paoline Chapel of Santa Maria Maggiore in Rome as well as the Aldobrandini wings of the Vatican. According to rumor, the pontifical chapel of Montecavallo (Chapel of the Annuciation) was assigned to Reni to paint. However, because he felt underpaid by the ministers, the artist left for Bologna, leaving the role of the preeminent artist in Rome to Domenichino.

 

  Prev   1 2 3 4 5    Next
 

 

 

Guido Reni Kreuzigung des Hl. Petrus oil painting

Painting ID::  71708

X 
 

Guido Reni
Kreuzigung des Hl. Petrus
1604-1605 Oil on canvas 305 x 175 cm
   
   
     

 

 

Guido Reni Hl. Matthaus Evangelist und der Engel oil painting

Painting ID::  71743

X 
 

Guido Reni
Hl. Matthaus Evangelist und der Engel
1630-1640 Oil on canvas 86 x 68 cm
   
   
     

 

 

Guido Reni Salome with the Head of John the Baptist oil painting

Painting ID::  72737

X 
 

Guido Reni
Salome with the Head of John the Baptist
Date 1630-1635 Medium Oil on canvas Dimensions X cm cyf
   
   
     

 

 

Guido Reni Saint Sebastian oil painting

Painting ID::  73297

X 
 

Guido Reni
Saint Sebastian
Saint Sebastian cjr
   
   
     

 

 

Guido Reni Adoration of the shepherds oil painting

Painting ID::  73771

X 
 

Guido Reni
Adoration of the shepherds
Adoration of the shepherds cjr
   
   
     

 

 

Guido Reni Angel of the Annunciation oil painting

Painting ID::  74343

X 
 

Guido Reni
Angel of the Annunciation
Date Unknown date Medium Oil on canvas Dimensions 58,5 x 46,5 cm cyf
   
   
     

 

 

Guido Reni Der siegreiche Simson oil painting

Painting ID::  74680

X 
 

Guido Reni
Der siegreiche Simson
161 1- 1612 Oil on canvas 260 X 223 cm cjr
   
   
     

 

 

Guido Reni Handmade oil painting

Painting ID::  75003

X 
 

Guido Reni
Handmade
English: Handmade oil painting reproduction of Angel of the Annunciation, a painting by Guido Reni. (Angel Gabriel) Date 1575-1642 cyf
   
   
     

 

 

Guido Reni Saint Sebastian oil painting

Painting ID::  75030

X 
 

Guido Reni
Saint Sebastian
Description St-Sebastian-xx-Guido-Reni.English: Saint Sebastian Date 1600s cyf
   
   
     

 

 

Guido Reni Portrait of an old woman oil painting

Painting ID::  76025

X 
 

Guido Reni
Portrait of an old woman
ca. 1632(1632) Oil on canvas 64 ?? 55 cm (25.2 ?? 21.7 in) cjr
   
   
     

 

 

Guido Reni Thronende Madonna mit den Stadtheiligen Bolognas oil painting

Painting ID::  77670

X 
 

Guido Reni
Thronende Madonna mit den Stadtheiligen Bolognas
1631 - 1632 cjr
   
   
     

 

 

Guido Reni Portrat des Kardinals Bernardino Spada oil painting

Painting ID::  79149

X 
 

Guido Reni
Portrat des Kardinals Bernardino Spada
c. 1631 Oil on canvas 222 x 147 cm cjr
   
   
     

 

 

Guido Reni Magdalene with the Jar of Ointment oil painting

Painting ID::  80283

X 
 

Guido Reni
Magdalene with the Jar of Ointment
ca. 1640(1640) Oil on canvas cjr
   
   
     

 

 

Guido Reni The Suicide of Lucretia oil painting

Painting ID::  80385

X 
 

Guido Reni
The Suicide of Lucretia
between 1625(1625) and 1640(1640) Medium Oil on canvas Dimensions 113 x 91 cm (44.5 x 35.8 in) cjr
   
   
     

 

 

Guido Reni Thronende Madonna mit den Stadtheiligen Bolognas oil painting

Painting ID::  80941

X 
 

Guido Reni
Thronende Madonna mit den Stadtheiligen Bolognas
1631 - 1632 Medium Deutsch: Öl cyf
   
   
     

 

 

Guido Reni St Matthew and the angel oil painting

Painting ID::  81588

X 
 

Guido Reni
St Matthew and the angel
Date 1620-30 Medium English: Oil on canvas cjr
   
   
     

 

 

Guido Reni Madonna with Child and St. John the Baptist oil painting

Painting ID::  83484

X 
 

Guido Reni
Madonna with Child and St. John the Baptist
. 1606(1606) Medium Oil on copper Dimensions 25 x 19 cm (9.8 x 7.5 in) cyf
   
   
     

 

 

Guido Reni Magdalene with the Jar of Ointment oil painting

Painting ID::  84522

X 
 

Guido Reni
Magdalene with the Jar of Ointment
ca. 1640(1640) Medium Oil on canvas cyf
   
   
     

 

 

Guido Reni St Matthew and the angel oil painting

Painting ID::  85606

X 
 

Guido Reni
St Matthew and the angel
1620-30 Medium English: Oil on canvas cyf
   
   
     

 

 

Guido Reni Drinking Bacchus oil painting

Painting ID::  86213

X 
 

Guido Reni
Drinking Bacchus
1623 Medium Oil on canvas Dimensions 72 x 56 cm (28.3 x 22 in) cyf
   
   
     

 

       Prev    1  2  3  4  5     Next

 

Guido Reni
1575-1642 Italian Guido Reni Galleries Born in Bologna into a family of musicians, Guido Reni was the son of Daniele Reni and Ginevra de?? Pozzi. As a child of nine, he was apprenticed under the Bolognese studio of Denis Calvaert. Soon after, he was joined in that studio by Albani and Domenichino. He may also have trained with a painter by the name of Ferrantini. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the "newly embarked", or progressives), led by Lodovico Carracci. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Annibale Carracci to Rome. Like many other Bolognese painters, Reni's painting was thematic and eclectic in style. By late 1601, Reni and Albani had moved to Rome to work with the teams led by Annibale Carracci in fresco decoration of the Farnese Palace. During 1601-1604, his main patron was cardinal Sfondrato. By 1604-1605, he received an independent commission for an altarpiece of the Crucifixion of St. Peter. After a few year sojourn in Bologna, he returned to Rome to become one of the premier painters during the papacy of Paul V (Borghese). From 1607-1614, he was one of the painters patronized by Borghese. Abduction of Deianira, 1620-1621.Reni's frescoed ceiling of the large central hall of garden palace, Casino dell'Aurora located in the grounds of the Palazzo Pallavicini-Rospigliosi, is considered his masterpiece. The casino was originally a pavilion commissioned by Cardinal Scipione Borghese; the rear portion overlooks the Piazza Montecavallo and Palazzo del Quirinale. The massive fresco is framed in quadri riportati and depicts Apollo in his Chariot preceded by Dawn (Aurora) bringing light to the world. The work is restrained in classicism, copying poses from Roman Sarcophagi, and showing far more simplicity and restraint than Carracci's riotous Triumph of Bacchus and Ariadne[5] in the Farnese. Reni in this painting is allies himself more with the sterner Cavaliere d'Arpino,Lanfranco, and Albani "School" of mytho-historic painting, and less with the more crowded frescoes characteristic of Pietro da Cortona. There is little concession to perspective, and the vibrantly colored style is antithetical to the tenebrism of Caravaggio's followers. Payments showed that he was paid in 247 scudi and 54 baiocchi upon completion on 24 September 1616. He also frescoed in Paoline Chapel of Santa Maria Maggiore in Rome as well as the Aldobrandini wings of the Vatican. According to rumor, the pontifical chapel of Montecavallo (Chapel of the Annuciation) was assigned to Reni to paint. However, because he felt underpaid by the ministers, the artist left for Bologna, leaving the role of the preeminent artist in Rome to Domenichino.